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A roundtable discussion

Programme / Schedule

Speaker Biographies + Synopses

Curatorial Narrative

Closing Remarks

Online Programme

Reem Fadda in conversation with Fawz Kabra

JW Stella in conversation with Aimee Dawson

Alya Sebti in conversation with Göksu Kunak

November Paynter and Didem Pekün in conversation with Basak Senova

Shumon Basar, Ala Younis and Omar Berrada in conversation with Sheyma Buali

Adelina von Fürstenberg in conversation with Stephanie Bailey

Kamel Lazaar in conversation with Anthony Downey

MADRASSA Collective in conversation with Antonia Alampi

Christine Tohme in conversation with Rachel Dedman

Okwui Enwezor: in conversation with Anthony Downey

Adam Szymczyk: in conversation with Omar Kholeif

Exhibitions and Other Representations in 25 Years at Witte de With

HIWAR | Conversations in Amman

Ibraaz Platform 006 Editorial

An I for an Eye and Death of a Cameraman

The 13th Istanbul Biennial

A tool-guide by Temporary. Art. Platform. (T.A.P.) with Nayla Geagea

Sites of Return: Ramallah

Cities Exhibition 5, 'Gaza – Reconstruction': Ramallah

Pattern Recognition: Ramallah

RE/viewing Jerusalem #2 – REturn: Jerusalem

The Jerusalem Show VIII 'Before and After Origins': Jerusalem

Moments for Possibilities 'Air, Land and Sea': London

This Sea is Mine: Amman

The People of the Sea: Haifa

Biographies

Contextual Notes: Rawan Sharaf Reema Salha Fadda Stephanie Bailey

Foreword: Anthony Downey

Introduction: Qi2016 Curatorial Team

Responses

Curator's Essay: Aaron Cezar

Foreword: Anthony Downey

Diana Al-Hadid in Conversation with Fawz Kabra

Hassan Khan in conversation with Omar Kholeif

Zeina Arida in conversation with Laura Allsop

Rasha Salti in conversation with Fawz Kabra

Ayah Bdeir in conversation with Omar Kholeif

Yuko Hasegawa in conversation with Walter D. Mignolo and Stephanie Bailey

Jeremy Hutchison in conversation with Natasha Hoare

Tamara Chalabi, Reem Shather-Kubba, and Jonathan Watkins in conversation with Basak Senova

Nadia Ayari in conversation with Haig Aivazian

Seth Anziska in conversation with Daniella Rose King

Marie-Monique Steckel in conversation with Fawz Kabra

Yazan Khalili and Lara Khaldi in conversation with Natasha Hoare

Sohrab Kashani in conversation with Taus Makhacheva

Mahmoud Khaled in conversation with Omar Kholeif

Slavs and Tatars in conversation with Franz Thalmair

Koyo Kouoh in conversation with Stephanie Bailey

Marwa Arsanios in conversation with Fawz Kabra

Adham Hafez in conversation with Suzy Halajian

Robin Kahn in conversation with Stephanie Bailey

Hiwa K in conversation with Anthony Downey and Amal Khalaf

Stefano Rabolli Pansera in conversation with Stephanie Bailey

Youmna Chlala in conversation with Fawz Kabra

Nav Haq in conversation with Stephanie Bailey

Leeza Ahmady in conversation with Taus Makhacheva

Mai Elwakil in conversation with Daniella Rose King

Tarek Atoui in conversation with Stephanie Bailey

Rana Hamadeh in conversation with Stephanie Bailey

Ali Cherri in conversation with Sheyma Buali

Georgia Kotretsos in conversation with Stephanie Bailey

Foundland in conversation with Nat Muller

Hicham Khalidi in conversation with Daniella Rose King

WHW in conversation with Omar Kholeif

Nora Razian, Nataša Petrešin Bachelez, and Angela Harutyunyan in conversation, with a contribution from Natasha Gasparian

Alia Rayyan: Recounting the Past, Present and Future

Ibraaz

Sharjah Art Foundation, 17-19 March 2012

Chkoun Ahna at the National Museum of Carthage, Tunis, 2012

Samiha Khalil

Fawz Kabra

Isabella Ellaheh Hughes

Ibraaz

Questions to be addressed

Ibraaz

Regional vis-à-vis Global Discourses: Contemporary Art from the Middle East

Ibraaz

Parviz Tanavoli’s Retrospective at the Davis Museum

William Wells in conversation at Serpentine Galleries

A Report from Home Works 7 and Athens Biennale 5 to 6

Ala Younis: On Curating

Hans Ulrich Obrist: in conversation with Omar Kholeif

Jim Quilty

Edited by Anthony Downey (IB Tauris, 2014)

To close Ibraaz Platform 010, we present new essays by Ibraaz Editor-in-Chief Anthony Downey, Ibraaz Senior Editor Stephanie Bailey, Ibraaz Contributing Editor Ala Younis, and Natasha Hoare; interviews with Szabolcs KissPál and Mahmoud Khaled, Toleen Touq, Cevdet Erek, Hammad Nasar; projects by Shadi Habib Allah, Mahmoud Bakhshi, Maryam Monalisa Gharavi,...

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Platform 010 Editorial

On Navigating Without a Compass

Reema Salha Fadda

Contour Biennale 8

Notes on Geo-cultural Exhibitions

Stephanie Bailey

Artists Intervening in Lebanese Dailies

On Qalandiya International 2016 in Ramallah

Katia Kameli at the Mosaic Rooms

At Aicon Gallery, New York

Mega-museums and modern artists from the Middle East

Ibraaz 5th Year Anniversary Editorial

At Ab Anbar Gallery

On Assumption and Authority

An Introduction to Platform 010

Of course, I do not wish to be misunderstood as arguing for nativism or closure. But the specific history of the region matters deeply, as factual evidence, but even more so in terms of identifying resources that can be transformed and activated in new ways today.

Anthony Downey

On Walking and Crawling

An Introduction to Body Art and Performance in the Gulf

Green Art Gallery

Notes on Maverickism as Genealogy and Genealogy as Approach

The 14th Istanbul Biennial 2015

A Review of the 56th Venice Biennale

Performing Armenity at the 56th Venice Biennale

Sharjah Biennial 12: The past, the present, the possible

A Curatorial Take on the Global South

Nikos Papastergiadis and Gerardo Mosquera

Burak Delier

A Recourse to the Past

Here and Elsewhere at the New Museum

Building Institutions Through Practice

33rpm and a Few Seconds by Rabih Mroué and Lina Saneh

Arts Infrastructures and Institutions in Libya Post-Dictatorship

Or, Severing History From the Person

'By producing an idea of the future, art transgresses official history and produces its own reality.'

Slavs and Tatars at The Third Line

The Sharjah Art Foundation's 2014 March Meeting

A Radio Series on the Poetics and Politics of Language

Cecilia Andersson

I envision the liberation of an archive (from attachment to a person, state, or region) through its transfiguration into a database. This emancipation requires dematerialization and displacement.

On Shuruq Harb's The Keeper

FIAF’s 2013 World Nomads Tunisia Festival

Omar Kholeif

Literary Affects and the New Political by Tarek El-Ariss

The Making of the Artwork by the Artist, the Museum and the Public

Palazzo Contarini Polignac, Venice

Gezi Resistance, Public Space and the Counter-monumental

Iraq and Palestine at the 2013 Venice Biennale

Hauser & Wirth / Alan Cristea Gallery: A Spectrum Review

Aid and the Politics of Art in Processes of Contemporary Cultural Production

An Exhibition between Cairo and London

Sharjah Biennial 11 – Re:emerge, Towards a New Cultural Cartography

Basim Magdy at Newman Popiashvili

A Talk and Screening by Shabbir Hussain Mustafa

In certain respects, the demands on contemporary artists issued forth by a (purportedly novel) globalised cultural economy are starkly obvious in the Arab world. The concurrent fascination with contemporary art and the region has resulted in the now well-documented - and equally well-debated - critical and curatorial investment in contemporary...

Khalil Rabah: Pages 7, 8, 9 at e-flux

Artistic Practices, Collective Action and Civil Society in Tunisia

Artistic Practices, Civil Society, and Secular Determination in Tunisia Today

Shining a spotlight on something in order to 'make it visible' is a task indeed. It does not only entail personal and professional risk but also demands courage and responsibility. The ethics of monstration (on behalf of those whose intention is precisely that - to make sense of vision, to...

I am broadly interested in addressing the recontextualisation of cultural heritage in the MENA region by institutions, thus aligning it in the process with current developments in contemporary art at large. Artistic practices are frequently used to measure the economic and cultural growth of geographies. This is often achieved by...

The question implies a view on artistic practice informed by a liberal framework of reception and interpretation: artistic practices are expected to politely negotiate within and with the larger sphere of culture; they are expected to expose, reveal, unmask, reform and finally find a place within various institutional configurations. The...

Anthony Downey

Politics, Media and Art after the Arab Uprisings

Perceptions of Occupation and Control in Cyprus

Initiated by the Kamel Lazaar Foundation in 2011, Ibraaz is the leading critical forum on visual culture in North Africa and the Middle East. We publish an annual online platform – consisting of essays, interviews, artists' projects, and platform responses – that focuses on research questions conceived through a network...

Mayssa Fattouh

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